The list of new features in Resolve 11 is quite extensive, so for more details visit the official DaVinci Resolve site. For a given shot, users can set the source gamma, target gamma, and target color space Resolve will automatically balance the images, even if they were shot on different cameras or under different lighting conditions, which anyone who has worked on multiple-camera productions will appreciate. One of the standout new features is something called Color Match, which can basically give you a primary base grade by analyzing shots containing standard color charts. The streamlined media page also gives users the ability to view and playback files, sync sound, trim shots, update timecode, and apply LUTs.Īs far as the color grading experience Resolve is known for, Blackmagic has definitely strengthened the capabilities of its software. As far as media management capabilities go, Resolve can now act as a fully capable cloning tool, meaning you can create checksum verified backups of media while on set. Additionally, they've added a number of standard trimming tools, audio and video transitions, and the ability to mix audio.īut it's not just the editing features that Blackmagic has beefed up. For example, it now includes a timeline capable of mixing formats, frame rates, and resolutions. Resolve 11 has many new features that bring it firmly in line with what users would expect from a modern NLE. With the newest version, Resolve 11, they've fully committed to providing a single platform from which users can color correct, edit, finish, and deliver. 221) or at classes can accomodate 8 persons maximum and the classes are between 10am and 6pm with a hour for lunch break.Little by little, update by update, Blackmagic Design has been adding editing features to their popular DaVinci Resolve color grading software. We will also look at the production of DCP for movie theatres.Ĭomputers will be at participants’ disposal on demand and subject to availability.įor further information or to reserve a place, please contact Olivia Lagacé on (514) 521-2116 (ext. We will also look at how to manage the different types of compression (H264, ProRes, DnxHD) as well as the management of embedded elements such as the embedded timecode or Watermarks. The Delivery page, the last section of the software, will be addressed for any work of various output of editing or associated images, with a look at the different types of outputs (Dailies, editing, Mastering…). This part of the course will be very punctual due to the lack of time and qualification in the field by the teacher. We will look at how to assign audio tracks, apply basic audio correction effects such as equalisation, reverberation, gain, compression, and the basic principles of sound editing and mixing. The last day will begin with an overview of the Fairlight section of the software. We will address the principles of colourisation through the different methods of image selection, of work in nodes, the management of Looks, of Luts, the automation of correction work, the aesthetics and the bias of a document, as well as some fundamentals on the proper procedure to follow when colouring it.ĭay 4 – 6 hours – Overview day of Fairlight and Delivery. The third day will be entirely dedicated to colourisation. In parallel, in the various chapters of the software settings, we will discuss, if necessary or at the request of the participants, more technical points regarding the basics of video and cinema (image size, rhythm, colour calibration, compression, Raw, Log, interlaced or progressive images…) in order to consolidate these very important steps in the software.ĭuring the second day of training, we will dedicated ourselves to the editing portion of the software by discovering the interface, the different tools and possibilities, the aesthetic components, versioning and importing/exporting to other editing platforms, all punctuated by practice sessions (participants may bring their own images for exercise purposes). The first day of training will be essentially dedicated to the general introduction of the software, the creation and fine-tuning of an editing project, and importing and preparing media for editing. Thank you for reading the course outline completely before signing up.ĭay 1 – 6 hours – Theory day with PowerPoint and Resolve. The latest version of the software will be used.īelow is a brief overview of the lesson plan. This course will be given in French on an English software. During the four day training, each participant will be provided with a computer so that they can complete the practical exercises that will allow them to better understand the theoretical content. This introductory course of the DaVinci Resolve Lite software is designed for people with little to no experience with the program.
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